Posts Tagged Saints
Meet St. Macrina the Younger; the “Fourth Cappadocian”
Posted by Dallas Wolf in Monasticism, Patristic Pearls, The Cappadocians, Women in Early Christianity on October 27, 2024
St. Macrina the Younger (AD 327-379) was a mystic consecrated virgin from a landed and committed Christian family. She was the elder sister of four Cappadocian Saints: St. Basil the Great, St. Gregory of Nyssa, St. Naucratius, and St. Peter of Sebasteia. She was also friends with fellow Cappadocian, St. Gregory of Nazianzus.
Brother Gregory of Nyssa records a powerful statement about Macrina, his older sister, in his 19th letter, “We had a sister who was for us a teacher of how to live, a mother in place of our mother.” It is well documented that big sister Macrina had significant influence in the spiritual development and careers of brothers Basil, Naucratius, Gregory, and Peter, all of whom became saints.
In addition to her role as teacher, guide, and exemplar to her younger siblings, Macrina transformed her family’s estate at Annisa, in Pontus [Uluköy, modern Turkey], into a cenobitic monastery, or domestic ascetic community, of virgin women. All of these women were treated as equals, regardless of their former social or economic status. Over time, Macrina added accommodations for ascetic celibate men and orphan children to her monastery.
But, there is more to Macrina’s story.
Brother Gregory records the story of the miraculous healing of Macrina of a disease which many hypothesize to have been breast cancer. Gregory writes, “she went into the sanctuary and remained there all night long prostrate before the God of healing, weeping a flood of tears to moisten the earth, and she used the mud from her tears as a salve to put on the effected place” (Gregory of Nyssa: “The Life of St. Macrina”, 48).
An example of Macrina as wonder worker is also recorded by Gregory, documenting the testimony of the garrison commander of the Pontus town of Sebastopolis. This distinguished military man reported that he, with his wife and daughter, had once visited Macrina’s monastery, “that powerhouse of virtue,” and when they left, their daughter’s severe eye disease was cured by Macrina’s prayers, “the true medicine with which she heals diseases.” (Life of Macrina, 52)
Macrina the Younger was a spiritual force of nature, according to the testimony of brother Gregory of Nyssa. Although her story may be embellished, her prophetic disposition and pastoral qualities, coupled with her direct divine experiences are both inspiring and edifying to modern ears.
Gregory finished his story of Macrina’s life by saying, “In order therefore that those who have too little faith, and who do not believe in the gifts of God, should come to no harm, for this reason I have declined to make a complete record here of the greater miracles, since I think that what I have already said is sufficient to complete Macrina’s story.” (The Life of Macrina, 54)
While Basil the Great, Gregory of Nyssa, and Gregory of Nazianzus have long been honored and revered as the three great “Cappadocian Fathers”, Macrina did not historically receive much serious attention from theologians or scholars. In more recent years Macrina has been hailed by the Orthodox theologian, Jaroslav Pelikan, and others as the “Fourth Cappadocian”.
Regardless of her title, Macrina has greatly influenced Christianity through her life as a consecrated virgin, prophet, monastic founder and leader, mother, father, sister, teacher, wonder worker, and philosopher of God.
Icons: “… we are surrounded by so great a cloud of witnesses,”
Posted by Dallas Wolf in Ekklesia and church on April 12, 2023
“Therefore, since we are surrounded by so great a cloud of witnesses1, let us also lay aside every weight and the sin that clings so closely, and let us run with perseverance the race that is set before us,” ~ Hebrews 12:1
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One of the most striking visuals in an Orthodox church is the great number and variety of highly stylized icons covering walls, ceilings, and seemingly any other available floor or shelf space.
Strictly speaking, an icon (εικών, eikon – image, picture) is a portable sacred image, painted on a piece of wood according to the style and techniques of Byzantine art. But in its broader sense, an icon is any sacred image painted, or otherwise reproduced, for the purpose of veneration2.
The Patristic Fathers taught that an “icon makes present that which it represents.” Veneration happens when we stop seeing an icon as an object of art or decoration and nothing more, and begin seeing it as a close, face-to-face encounter with the person represented. Veneration is far more than the acts of bowing, kissing, crossing oneself, offering incense or lighting candles. In fact, those things only become veneration when they are offered towards the person who is made present in an icon.
Many icons depict persons recognized as holy Saints by the church. Of these, some of them are martyrs, having died for their Christian witness; some are confessors, having maintained their witness under especially difficult and or dangerous conditions, but not lost their lives; but the majority of Saints are neither; just people in all ages recognized as extraordinarily holy. Saints are not an anachronist relic of the distant past. They have been recognized since the birth of the church and new Saints continue to be identified and recognized to this day.
For most of church history, the majority of Christians could not read or write. In the Greco-Roman world of the Apostles, it is estimated that less than 15% of the population was literate. Hearing the Scripture read during church services and understanding the stories and people depicted in the icons adorning the church building served as important tools for the transmission of Christian tradition and faith. It follows then that icons continue to serve as educational and worshiping aids. The Holy Spirit speaks to us through icons, as images that complement the written words of Scripture. Icons also serve to transport us into the realm of spiritual experience, to go beyond our material world, to show us the greatness and perfection of the divine reality that is invisible to us.
During an Orthodox church service, it feels like the entire congregation is worshiping along with all of the Saints depicted in the icons adorning the church. And even when praying alone in an empty Orthodox church, you cannot feel alone; but rather accompanied, comforted, and supported by all of the Saints present through the icons.
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1 Witness (Gr. μάρτυς, mártys) in its original meaning, the Greek word martyr, was used in the secular sphere as well as in the New Testament. The process of bearing witness was not intended to lead to the death of the witness, although it is known from ancient writers (e.g., Josephus) and from the New Testament that witnesses often died for their testimonies. During the early Christian centuries, the term martyr came to mean one who gives his or her life for the faith. A confessor (ομολογητής) came to mean a person who does not actually die for the faith but witnesses to it under difficult and often dangerous conditions.
2 Veneration (Gr. σεβασμός) is a reverence, love, and recognition paid to all those persons portrayed in an icon. Many people in the West often misinterpret veneration as worship; however, worship (προσκύνησης, total devotion of the self) in the Eastern Orthodox Church is reserved for God alone.
First Thoughts 